PYRAMIDS OF CHI II
PYRAMIDS OF CHI I
"Most of my work consists out of multiple layers of landscape photography. I work with analog filters such as kaleidoscope lenses, foil or transparent paper and use multiple exposure techniques. In my approach I create otherworldly ambiances exploring the dissolution of concreteness, opening up new dimensions without earthly boundaries - experimenting with transformation, reproduction, deconstruction and reconstruction. All photos were shot in places that are already magical, such as the Altiplano of Bolivia, Las Coloradas in Yucatan (Mexico) or the rainforest in Bali. I exaggerate the inherent beauty of these places via post-processing."-Navina Khatib
Navina Khatib is a visual artist & filmmaker based in Berlin and Málaga (Spain). Her landscapes can only be found by those with the ability to look beyond reality. For dreamers, nothing feels more soothing than seeing the mystical combination of color and nature. Khatib's work allows the mind to explore these tranquil spaces. Light, texture, and vast uninhabited expanses all contribute to the sensory journey of these works—come and get lost in a world like no other. Navina’s work consists of multiple layers of landscape photography, where she plays with light and colors to create her very own rendition of these abstract landscapes. The result is dreamlike and almost therapeutic. She works mainly with analogue filters such as kaleidoscope lenses, foil or transparent paper and uses various layers and multiple exposure techniques. Most of her work was shot in South America, Bali, Andalusia (Spain), Canary Islands, Mexico and Austria. Navina’s art was featured in Lonely Planet, Affinity, Atlas Obscura, Caters News, Frankie, Fisheye Magazine, Artsy & Featureshoot, Time Out NY, New York Times and she is collaborating with the renowned agency Artstar (New York).
by Navina Khatib
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Once your artwork is made by our printer, it must be allowed to outgas for 24 hours before being framed and/or shipped. ** Please note that we employ professional framers, shippers and handlers on all orders and only handle our prints with white gloves. While occasional damage by USPS or FedEx in transit is out of our control, we are happy to work with you to resolve any damage that does occur. However, damage in transit is relatively rare.
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Choose from our high-end white, black or natural frames, or opt for a more modern look by selecting facemounted to thick Plexiglas.
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- UV-blocking acrylic glass, which protects against 91% of UV rays.
- Acid-free, archival mats and materials.
- Taped backs to prevent dust from getting into the frame.
- Strainers on the back to reinforce the structure of the frame.
- Wire on the back of the frame for easy installation.
- Facemounted works are hung on a metal French cleat. Installation instructions are included in the packaging.
Extra small and small frames have .75" molding 2" mats, and are 1.2" deep. Medium and large frames have 1" molding, 3" mats and are 2" deep. Mattless frames have a spacer to prevent the print from touching the acrylic.
We do not frame the extra large print sizes because they are too large to ship without risking damage.
ArtStar does not accept returns.
Each order is custom-made just for you and, therefore, non-returnable. Shortly after your order is placed, our team of professional printers and framers goes to work.
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Ownership of the work transfers once checked in at the warehouse and is no longer the responsibility of ArtStar.