BLACK BRUSHSTROKES 1

by BRIGGS SOLOMON

BLACK BRUSHSTROKES 1

Briggs Edward Solomon's artwork is known for its balance and juxtaposition. It is a collaboration of simplistic and contemporary colors. It is subtle, yet bold. It is peaceful, yet chaotic. It's rock-and-roll.

BRIGGS SOLOMON

Briggs is often classified as a minimalist, but he prefers to be known as a "realist" because he is not interested in creating illusions, but only in presenting the materials he has used in compositions at their face value. The majority of his works feature abstract expressionist-influenced brushwork in white, black or shades of grey paint on canvas or paper.

Influenced by the early minimalist movement of the 1960's, Briggs continues to go deeper into the question, what is minimalism, along with how he can reduce each piece of art to its true essence. Despite the refinement of his design abilities, the channeling of energy from design to painting feels like a natural progression.

Select Paper Size (Shown in Inches)

13.5x12.3edition of 50$150.00

23.5x21.4edition of 25$325.00

39.5x35.9edition of 15$575.00

Select Frame Option

BLACK BRUSHSTROKES 1

Briggs Edward Solomon's artwork is known for its balance and juxtaposition. It is a collaboration of simplistic and contemporary colors. It is subtle, yet bold. It is peaceful, yet chaotic. It's rock-and-roll.

BRIGGS SOLOMON

Briggs is often classified as a minimalist, but he prefers to be known as a "realist" because he is not interested in creating illusions, but only in presenting the materials he has used in compositions at their face value. The majority of his works feature abstract expressionist-influenced brushwork in white, black or shades of grey paint on canvas or paper.

Influenced by the early minimalist movement of the 1960's, Briggs continues to go deeper into the question, what is minimalism, along with how he can reduce each piece of art to its true essence. Despite the refinement of his design abilities, the channeling of energy from design to painting feels like a natural progression.

Two Week Lead Time On All Orders

Museum Quality Printing

Printed to the highest industry quality by a fine art printer using fully archival Epson inkjet pigments on 100% cotton rag Hahnemühle paper, hand-cut to Select Paper Size (Shown in Inches). More info >

Card of Authenticity

All prints are accompanied by a signed and numbered certificate of authenticity to maintain the integrity of each print. More info >

Card of Authenticity

Shipping

Unframed prints arrive in approximately 2 - 2 1/2 weeks. Framed prints arrive in approximately 3 weeks. Once your artwork is made by our printer, it must be allowed to outgas for 24 hours before being framed and/or shipped. ** Please note that we employ professional framers, shippers and handlers on all orders and only handle our prints with white gloves. While occasional damage by USPS or FedEx in transit is out of our control, we are happy to work with you to resolve any damage that does occur. However, damage in transit is relatively rare.

Return Policy

As our prints are custom made to order according to your preferences, all of our prints are final sale and non-returnable. We guarantee the quality of our prints, so if your order was shipped with a defect or arrived damaged, please contact us at hello@artstar.com.

Skip the trip to the framer and let ArtStar do the work with our One Click Framing.

Choose from our high-end white, black, walnut, maple, silver or gold frames, or opt for a more modern look by selecting facemounted to thick Plexiglas.

All frames include:

  • UV-blocking acrylic glass, which protects against 91% of UV rays.
  • Acid-free, archival mats and materials.
  • Taped backs to prevent dust from getting into the frame.
  • Strainers on the back to reinforce the structure of the frame.
  • Wire on the back of the frame for easy installation.
  • Facemounted works are hung on a metal French cleat. Installation instructions are included in the packaging.

Extra small and small frames have .75" molding 2" mats, and are 1.2" deep. Medium and large frames have 1" molding, 3" mats and are 2" deep. Mattless frames have a spacer to prevent the print from touching the acrylic.

We do not frame the extra large print sizes because they are too large to ship without risking damage.

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