GREEN EYES 3
Hong Kong has the most basketball courts of any city in the world. This bold claim is difficult to verify, but in his Hong Kong Basketball Court series, Austin Bell sets out to exhaustively showcase them all, whether by air or center court. Their endless stream of colorful designs cut through daunting vertical surroundings and give Hong Kong’s playgrounds of choice a distinctiveness no other city can match. At the same time, the courts’ omnipresence intertwines them into Hong Kong’s entrancing visual makeup. It may be impossible to affirm that Hong Kong has the most basketball courts of any city in the world, but Austin’s work proves it has the most intriguing ones.
Austin Bell is a photographer from North Carolina who has shot over 2,400 basketball courts across the world, with specific focuses in Hong Kong, Puerto Rico and New York City. Austin captures them from all angles: aerially, through fences or at center court. The courts fascinate him because of their color, symmetry and ubiquity, becoming a unique lens to the places in which they are found. However, because of his terrible jump shot he prefers shooting photos to baskets.
By Austin Bell
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Once your artwork is made by our printer, it must be allowed to outgas for 24 hours before being framed and/or shipped. ** Please note that we employ professional framers, shippers and handlers on all orders and only handle our prints with white gloves. While occasional damage by USPS or FedEx in transit is out of our control, we are happy to work with you to resolve any damage that does occur. However, damage in transit is relatively rare.
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Choose from our high-end white, black or natural frames, or opt for a more modern look by selecting facemounted to thick Plexiglas.
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- UV-blocking acrylic glass, which protects against 91% of UV rays.
- Acid-free, archival mats and materials.
- Taped backs to prevent dust from getting into the frame.
- Strainers on the back to reinforce the structure of the frame.
- Wire on the back of the frame for easy installation.
- Facemounted works are hung on a metal French cleat. Installation instructions are included in the packaging.
Extra small and small frames have .75" molding 2" mats, and are 1.2" deep. Medium and large frames have 1" molding, 3" mats and are 2" deep. Mattless frames have a spacer to prevent the print from touching the acrylic.
We do not frame the extra large print sizes because they are too large to ship without risking damage.
ArtStar does not accept returns. Works damaged in transit may be exchanged on a case by case basis within 30 days of arrival. Please email us as soon as you receive the damaged work at email@example.com. Please do not open your artwork yourself. It is very delicate and difficult to get back in the packaging without damage. Please let a trained framer open the artwork. We do not take back artwork damaged by the customer.
Please note that we employ professional printers, framers and shippers. Occasional damage in transit happens and is out of our control. We are happy to work with you to immediately resolve any damage that might occur. However, damage in transit is relatively rare.
We stand behind our art with a 100% quality guarantee. ArtStar prints on the best paper on the market with a fine art printer in the USA. Each work is created custom per order. ArtStar color matches every print to the artists' source file and fully authenticates every piece.
Please note that we work hard to ensure that all images are displayed accurately, however screen resolutions and brightness may reflect sublet variations from the final printed edition.
If your work is damaged or you received the wrong image please email us at firstname.lastname@example.org or call 212.995.5352