My first job out of school was on a trading floor playing a never ending game of probabilities. Days and nights filled with nodes, signals, decision trees, path-dependent outcomes and calculated probabilities in every flavor I could never have imagined. I spent eight years of my life in a two-block radius around 52nd and Park working on the kind of hopeless problems nobody in history had ever successfully solved; instead of helping me understand the world better like I thought I would in my naivete, my time there instead taught me the romance of the idea that some things are more beautiful if left never understood. That there was a peace in understanding there would be no answer. This series of surfer “movement studies” is a playful reminiscence of this part of my past, an ode to a formative period of my life overlaid on my San Diegan coastal upbringing. There are few things I have experienced in my life that are as pure and total in its disconnection with the world as sitting on a bar of foam on the great rippled plane of our oceans. It is my career’s antithesis. This humorous, almost interactive scribbling of pseudo-mathematical lines and nodes laying out all the nameless surfer’s possibilities represents this tension that continues to define me.
Albert Hong is a photographer and mixed media artist based in New York, NY. He began his career as an analyst on Wall Street after earning a BS from New York University’s Stern School of Business. Driven by his formative years spent on the harsh, hyper-connected trading floors of the financial sector, his work centers around the curious human need for escape and disconnection, and the intimate role nature plays in its ultimate fulfillment. His work’s driving intention remains to rekindle our fascination for, appreciation of, and above all, a desire to conserve our only home.
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Museum Quality Printing
Printed to the highest industry quality by a fine art printer using fully archival Epson inkjet pigments on 100% cotton rag Hahnemühle paper, hand-cut to Select Paper Size (Shown in Inches, H x W). More info >
Card of Authenticity
All prints are accompanied by a signed and numbered certificate of authenticity to maintain the integrity of each print. More info >
Unframed prints arrive in approximately 2 - 2 1/2 weeks. Framed prints arrive in approximately 3 weeks. Once your artwork is made by our printer, it must be allowed to outgas for 24 hours before being framed and/or shipped. ** Please note that we employ professional framers, shippers and handlers on all orders and only handle our prints with white gloves. While occasional damage by USPS or FedEx in transit is out of our control, we are happy to work with you to resolve any damage that does occur. However, damage in transit is relatively rare.
As our prints are custom made to order according to your preferences, all of our prints are final sale and non-returnable. We guarantee the quality of our prints, so if your order was shipped with a defect or arrived damaged, please contact us at email@example.com.
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Choose from our high-end white, black or natural frames, or opt for a more modern look by selecting facemounted to thick Plexiglas.
All frames include:
- UV-blocking acrylic glass, which protects against 91% of UV rays.
- Acid-free, archival mats and materials.
- Taped backs to prevent dust from getting into the frame.
- Strainers on the back to reinforce the structure of the frame.
- Wire on the back of the frame for easy installation.
- Facemounted works are hung on a metal French cleat. Installation instructions are included in the packaging.
Extra small and small frames have .75" molding 2" mats, and are 1.2" deep. Medium and large frames have 1" molding, 3" mats and are 2" deep. Mattless frames have a spacer to prevent the print from touching the acrylic.
We do not frame the extra large print sizes because they are too large to ship without risking damage.
ArtStar does not accept returns. Works damaged in transit may be exchanged on a case by case basis within 30 days of arrival. Please email us as soon as you receive the damaged work at firstname.lastname@example.org. Please do not open your artwork yourself. It is very delicate and difficult to get back in the packaging without damage. Please let a trained framer open the artwork. We do not take back artwork damaged by the customer.
Please note that we employ professional printers, framers and shippers. Occasional damage in transit happens and is out of our control. We are happy to work with you to immediately resolve any damage that might occur. However, damage in transit is relatively rare.
We stand behind our art with a 100% quality guarantee. ArtStar prints on the best paper on the market with a fine art printer in the USA. Each work is created custom per order. ArtStar color matches every print to the artists' source file and fully authenticates every piece.
Please note that we work hard to ensure that all images are displayed accurately, however screen resolutions and brightness may reflect sublet variations from the final printed edition.
If your work is damaged or you received the wrong image please email us at email@example.com or call 212.995.5352